Sahil Patel - March 31st

I think music and poetic language can go hand-in-hand a lot of times. There is a rhythmic quality to both of them that evokes emotions, imagery, and entertains on many levels. However, while both music and poetic language can be complementary and are very similar, it does not mean they can not be mutually exclusive. Poetic language is enhanced by the use of music just as music can be enhance by poetry. However, there are certain qualities specifically belonging to music - wordless rhythms and sounds - that make it more unique when compared to poetry. Poetry can be engaging, intelligent, and powerful. However, I think emotive power music can evoke is greater. Poetic language can definitely complement and aid the music, however I believe language points more towards music than be on the same plane as music.

Wackenroder's story has several elements similar to a fairy tale. It involves a character that is fantastical and magical to say the least. Furthermore, there is a redemptive structure to the narrative in the sense that the main character, after going through prolonged and severe hardships finally is able to be freed from his shackles. However, I believe the fairy tale elements of "A Wondrous Oriental Tale of a Naked Saint" basically end there. It is definitely more of a Kunstmarchen in the sense that it is a more sophisticated story that utilizes a lot more metaphors and imagery. Furthermore, this tale is definitely not intended exclusively for children - in fact I highly doubt it is meant for children it all. The sophisticated and advanced writing - and the inclusion of abstract imagery and metaphors, specifically the importance of the "wheel" - points towards the audience being adults.